Choral Accompaniment at the Organ : handling registration
Jeremiah Stephenson explores the art of choral accompaniment in depth with the aim of providing a framework for you to make your own judgements, and a stimulus to explore fully the possibilities that each organ provides for imaginative accompaniment.
Bachhaus : our new creative partner
The RCO recognises the success of a unique yearly event: Bachhaus, a day workshop on the music of Bach based around a fine 1994 William Drake house organ in Hertfordshire.
A new generation of Nigerian organists
Joseph Jacob was born in Uyo, in southern Nigeria, and is currently on a Masters degree course at Royal Birmingham Conservatoire (RBC). His studies are being funded by various foundations, including the RCO. We asked him to describe his early training as a musician in his home country, and what he hopes to achieve as an organist in the future.
Conferment of Diplomas 2026 | watch in full or highlights
You can watch the College’s 2026 Conferment of Diplomas Ceremony here in full, or as edited highlights, and listen to the Ede & Ravenscroft recital given by international concert organist Katelyn Emerson.
In pictures: Conferment 2026 at Southwark Cathedral
A gallery of pictures from the College’s annual Conferment Ceremony at Southwark Cathedral on Saturday 7 March, at which RCO President Sarah MacDonald presented successful examination candidates with their awards and diplomas, and also presented three RCO Medals.
Prize-winning directory of composers for organ goes digital
John Henderson’s prize-winning print edition of the Directory of Composers for Organ is now available as a mobile app to download for both Apple and Android devices.
RCO teaching inspires an organist from Manila
Organist Christian Tolentino from Manila talks about his RCO studies, and life as an organist in the Philippines.
RCO News January 2026
The College’s bi-annual magazine for members contains features, details of forthcoming events and courses, and general news and views from the RCO.
Choral Accompaniment at the Organ: Viennese Masses
Jeremiah Stephenson discusses and illustrates ways in which the piano accompaniments in the vocal scores of Viennese Mass settings by composers such as Haydn, Mozart and Schubert can be adapted in order to make them effective and practical when played on the organ.

