Nicholas Cleobury gives an introduction to preparing one of Bach’s best known cantatas, Wachet auf, ruft uns die Stimme, BWV 140, for performance with an orchestra.

Conductor Nicholas Cleobury continues his guides for organists and choral directors to working with orchestras, with a film discussing how to prepare Mozart’s Coronation Mass for performance.

The art of accompanying a choir, and conducting (or ‘waving’) at the same time, is explored by Simon Williams, a Director of the RCO, and also Director of Music of Harrow Choral Society.

A benefit of our new reciprocal membership arrangement with the American Guild of Organists is free access to their journal The American Organist. We look at the magazine in more detail, and also preview a new addition to our choral and conducting resources on iRCO: two films on working with orchestras from conductor Nicholas Cleobury. 

Conductor Nicholas Cleobury looks at the differences between conducting a capella, and working with orchestras.  In two films he discusses conducting skills, and how to prepare a score for performance, using Haydn’s Little Organ Mass as an example.

Part of the examination for the RCO Choral Directing Diploma is to rehearse a choice of choral pieces from a set list.

This Spotify playlist is a personal selection of performances of this repertoire, made by the iRCO Editor.

Paul Spicer looks at Britten’s music that is performable in church, and suggests that choir directors have a treasure trove of wide-ranging music, from a great musical mind, which needs to be explored beyond the familiar.