Francis Knights offers much food for thought about Bach’s deft handling of thematic material in pedal parts. Many examples show us how the simplification of thematic and motivic ideas, in order to make them playable by the feet, was a well-honed and strategic skill. The alteration of musical content in the lowest part frequently raises questions as to what Bach expected of players, and adaptation methods can also help us to assess what may or may not be an actual pedal part.

This article first appeared in the RCO Journal for 2024.

This content is available free of charge to College members.

To find out more about joining RCO, please click here.

Non-members with an iRCO guest account can view this content with a one-off payment of £2.49. Please enter your details below to begin the secure payment process.