On Sunday 7 March, the eve of International Women’s Day, organists (and a few choirs too) took to social media to celebrate Woman Composer Sunday, a joint initiative by the Society of Women Organists and the RCO.  Organists were asked to perform a piece of music by a woman composer that day, and post it to Twitter, Facebook or YouTube. StopPress reports on the inspiring results.

The RCO’s first-ever Winter Conference this February was devised as the pandemic lockdown continued to prove a barrier to organists and organ enthusiasts getting together in person.  RCO Director Simon Williams decided to build on the experience through 2020 of putting all the major RCO courses online, with a new format – a complete virtual conference, with seminars, presentations, recitals, a keynote speech and a trade show. Over 200 people attended the three day event, including StopPress Editor, Morwenna Campbell-Smith, who writes this report.

An annual celebration of women composers has been launched by the Royal College of Organists and the Society of Women Organists. Sunday 7 March 2021 – the nearest Sunday to International Women’s Day on 8 March – will be celebrated as Woman Composer Sunday. Here on StopPress we have inspiration and wide-ranging resources for organists looking for repertoire by women composers.

The January 2021 edition of the College’s bi-annual magazine can be downloaded by Members here in pdf format.

In 2019 the European Cities of Historical Organs (ECHO), an association of nine cities with historic organs in nine EU countries, adjudicated on a competition for a project to introduce children to the organ.  The winners were a pair of British musicians, the Scott Brothers Duo.  Jonathan Scott tells us about their winning project, and how they have been able to continue to work through the Covid-19 lockdown across Europe.

A benefit of our new reciprocal membership arrangement with the American Guild of Organists is free access to their journal The American Organist. We look at the magazine in more detail, and also preview a new addition to our choral and conducting resources on iRCO: two films on working with orchestras from conductor Nicholas Cleobury. 

There are of course differences between individual grand pianos, and cellos, and flutes, but of all musicians, organists have to be the most prepared to adapt, often at short notice, to enormous variation in the size, shape and scope of their instrument. This month’s Learning during Lockdown focusses on the instrument and its builders, and how all this variety came about.

Organists really do have something to shout about regarding Beethoven after all, says Richard Brasier, in a new film that is the RCO’s contribution to the celebrations around the 250th anniversary of Beethoven’s birth this year.  In Learning during Lockdown this month we look at Beethoven’s relationship with the organ, and at the wider legacy of organ music from the Classical period.  We also note how two organists took a major role in shaping the content of the live music this year’s COVID-constricted BBC Promenade Concerts in the Royal Albert Hall.

We are recording our current series of live webinars on harmony for the RCO examination written papers, so they can be viewed on iRCO.  This month’s Learning during Lockdown suggests how you could use these, and other resources, to start or continue your studies of harmony, depending on your existing knowledge.   We also introduce live looping, an improvisatory technique from the world of electronic music, which can be creatively applied to the organ.