Working with orchestras – an introduction by Nicholas Cleobury
Conductor Nicholas Cleobury looks at the differences between conducting a capella, and working with orchestras. In two films he discusses conducting skills, and how to prepare a score for performance, using Haydn’s Little Organ Mass as an example.
An A-Z of the Organ : V is for Voluntary
Director of Oundle for Organists, Ann Elise Smoot, explains how the Organ Voluntary developed as a new form of organ music, in the context of the new liturgy of the Protestant Reformation in sixteenth-century England.
An A-Z of the Organ : U is for Urtext
RCO Chief Examiner, Stephen Farr, discusses the significance of Urtext Editions for the practical performer, and comments on the issues surrounding them.
An A-Z of the Organ : T is for Temperament
Meantone, Werckmeister, and ‘the wolf’: Cathy Lamb compares temperament systems and explains how they came about.
An A-Z of the Organ : S is for Saint-Saens
Gerard Brooks gives a brief survey of the organ works of Camille Saint-Saens, and describes what made him different from other organist-composers of his time.
The English Organ – part 2
THE ENGLISH ORGAN is a series of films and recordings made by Fugue State Films, telling the story of the English organ and its music, over five hundred years. In these three final films Daniel Moult takes the discussion from the nineteenth into the twentieth century, with performances of Stanford, Whitlock, and Patrick Gowers on historic organs.
The English Organ – part 1
THE ENGLISH ORGAN is a series of films and recordings made by Fugue State Films, telling the story of the English organ and its music. In these three films, Daniel Moult looks at the beginnings of English organ building, playing Byrd, Purcell and Handel on three historic organs.
The English Organ – introduction
In a series of special films Daniel Moult discusses the history of organ-building in England, and demonstrates the diversity of organ types, with appropriate music. This first film takes an overview of the development of the English organ, from Tudor beginnings to the present day.
FRCO fugue webinars with Frederick Stocken
In two webinars Frederick Stocken looks at the fugue question for the FRCO written examination. These classes are directly relevant for students working towards FRCO, as well as being of general interest to students of harmony at this level.
