For many decades interpreters of Vierne’s organ music have had little choice other than to play from scores which have been quite difficult to read; differentiating between sharps and naturals has often been a problem, for example. Publishers have frequently resorted to photocopying old printed editions for a new print run, with an inevitable loss […]

Dame Gillian Weir, in conversation with Andrew McCrea, reflects on Messiaen and the performance of his organ music. This discussion originally appeared as an article in the RCO Journal of 2008. RCO Journal 2008_Weir    

Paul Spicer discusses the music he has spent a lifetime espousing – the choral music by the composers who reinvented the musical wheel in this country in the late nineteenth and early twentieth centuries; a genre which, in the right hands, could stand up and be counted, holding its own in any company, given a […]