Drew Cantrill-Fenwick traces the processes whereby an organ was build for La Madeleine, Paris, by an increasingly influential Aristide Cavaille-Coll.  His archival research allows us to see, stage by stage, the construction history of this much-lauded instrument.  The project was a multi-disciplinary affaire in which the influence of the artisan was replaced by that of the scholar, the administrator, and the politician.

This article first appeared in the RCO Journal for 2023.

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