Sara Rothwell studied the organ from the age of 16, but only recently decided to take an RCO Diploma examination – winning both the Freemasons’ Prize and a John Birch scholarship in the process. She describes the challenges of taking the exam, and how she prepared for it.

The restoration of the organ at Canterbury Cathedral has begun, with some radical changes to the position of the pipework and console. Harrison & Harrison are working on the creation of new pipework in their Durham workshops, while Viscount Organs discuss the challenges of providing a digital replacement to maintain the musical life of the Cathedral for the next two years.

If you’re finding the requirements to improvise at the organ a bit daunting, or want to take your own skills to the next level, then read about two courses coming up in July which are focussed solely on improvisation for organists of all standards – one with tutor Ansgar Wallenhorst, left. There are also now two improvisation teaching videos to watch here on iRCO, which include exercises and a reading list to download.

Performance anxiety is common at all levels, and musicians are now catching up with sportsmen and women in acquiring techniques to overcome it. Knowing you’re performing way below your capability is immensely frustrating – here are some resources to help your public performances be as good as the ones you produce in private.

The Northern Ireland International Organ Competition, which takes place between 13th and 15th August in Armagh, has grown into an excellent opportunity for organists age 21 and under. This year there are increased prize funds, and recital opportunities for senior category prize winners at a range of international venues. The competition has been a stepping stone for many young players to establish their careers and take the next step forward. Dame Gillian Weir chairs the jury, and entries for this year close in July.

Listen to the Ede & Ravenscroft Recital which closed the College’s 2018 Conferment of Diplomas ceremony, performed by Peter Stevens, Assistant Master of Music, Westminster Cathedral, who played music by Jean Guillou, JS Bach, Maurice Durufle and Max Reger.

Watch the College’s 2018 Conferment of Diplomas ceremony in full, or as edited highlights.

Last Saturday, in the splendid setting of Southwark Cathedral, the RCO presented Diplomas and Certificates to 49 members of the college who were successful in the examinations in the past year – and for the first time this included the RCO’s new qualification, the Certificate of Accredited Membership (CAM). Distinguished guests were awarded the RCO Medal, and Peter Stevens gave the Ede & Ravenscroft recital – pictures of the day’s event as it unfolded.

The new Flentrop organ at the Royal College of Music in London is still to have its first proper public appearance, as it were, but already it’s gathering appreciative comments from those who’ve had a chance to play it. Flentrop Orgelbouw have created an instrument with a warm, clear sound that, although it has only 34 stops, is convincing, on its own terms, in French, North German, English, Baroque and Romantic repertoire. Thomas Trotter will give the opening recital on 25th February, to round off an organ festival that celebrates the organ music of composers associated with the College since the time of Parry.