THE ENGLISH ORGAN is a series of films and recordings made by Fugue State Films, telling the story of the English organ and its music, over five hundred years.  In these three final films Daniel Moult takes the discussion from the nineteenth into the twentieth century, with performances of Stanford, Whitlock, and Patrick Gowers on historic organs.

THE ENGLISH ORGAN is a series of films and recordings made by Fugue State Films, telling the story of the English organ and its music. In these three films, Daniel Moult looks at the beginnings of English organ building, playing Byrd, Purcell and Handel on three historic organs.

In a series of special films Daniel Moult discusses the history of organ-building in England, and demonstrates the diversity of organ types, with appropriate music.  This first film takes an overview of the development of the English organ, from Tudor beginnings to the present day.

In two webinars Frederick Stocken looks at the fugue question for the FRCO written examination. These classes are directly relevant for students working towards FRCO, as well as being of general interest to students of harmony at this level.

In Q is for Quiet, Andrew Cantrill-Fenwick discusses the use of silence in music, and how composers from Monteverdi and Bruns to Franck and Messiaen have used space within music to give meaning.

Sir Andrew Parmley, Chief Executive of the RCO, describes how Richard Limpus’ vision in 1860 of a college to raise the professional standing of the organist has been fulfilled today, in ways that he never could have imagined. 

John Scott Whiteley discusses the playing of ornaments in Bach, with a performance of Erbarm dich mein, O Herr Gott, BWV 721, on the organ of the Wenzelskirche, Naumburg.

What are organ pistons for?  Anne Marsden Thomas explains their operation, how to set them up, and how a memory system and stepper can be used on a modern organ.

Frederick Stocken looks at the 18th-century two-part counterpoint requirements of the ARCO written examination paper, in two webinars recorded during the COVID-19 lockdown.