Mark Williams and Ann Elise Smoot suggest ways to improve your keyboard skills in preparation for applying for an organ scholarship.  A reading list with further resources is included.

Richard Pinel and Ann Elise Smoot explain how to create and manage registration schemes on the organ, whether by hand or using divisional pistons, with a focus on choral accompaniment.

Ann Elise Smoot and Matthew Martin discuss improvisation, a skill all organ scholars will have to use at some point.  They suggest how you can develop confidence in two important areas: creating processional music, and hymn extensions.

Organ scholar trials usually include some aural tests, and Anna Lapwood talks through the aural tests for Cambridge organ scholarships, so you can see what type of skills are expected.

Stephen Farr explains how to practice effectively – taking a piece he has not yet studied, and discussing the learning process as he practices it live for the camera.

If you’ve been awarded an organ scholarship, then here’s some advice from Organ Scholars and Directors of Music on how to get the most enjoyment and benefit once you take up your appointment.

Part of the recent £26m restoration of the historic Armstrong Building at Newcastle University was the installation of an organ by Bernard Aubertin in the King’s Hall, one of only three Aubertin instruments in the UK.  You are invited to play this instrument on Saturday 27th July, in an RCO class on music of the French Classical era – organists at all playing levels are welcome to attend.

St Laurence’s Church in Ludlow currently houses two very different organs – their own fine Snetzler organ, and also the Wetheringsett organ, one of the two Tudor organs of the Early English Organ Project managed by the RCO. On Saturday 20th July this year organ enthusiasts have the chance to hear and learn more about both these instruments, with the opportunity to play them at the end of the day.

‘Francis Grier’s remarkably individual music combines influences from diverse traditions with the experiences of a fascinating career inspired by some of Britain’s most distinguished organists,’ says Tom Winpenny, in this article which summarises Grier’s career as Cathedral organist, leading chamber musician, and composer. Winpenny discusses how Grier’s organ writing is often inspired by the experience […]