This pre-concert talk was recorded at the world premiere at the Royal Festival Hall of the Legend of Melusine, which was commissioned as part of the RCO’s 150th anniversary celebrations in 2014.

The Journal of the Royal College of Organists is the College’s annual research publication, and Volume 2, 2008 can be downloaded here.

Joe McHardy was convinced he’d failed his FRCO earlier this year, so when he got emails telling him not only that he had passed, but been awarded the Durrant Prize, and then the John Birch Scholarship, he thought there must have been some mistake. He tells us what the Scholarship, and the RCO, have meant for him.

The RCO has published a major resource for organ teachers and students involved in or considering the Associated Board of the Royal College of Music’s graded organ examinations.

The Journal of the Royal College of Organists is the College’s annual research publication, and Volume 1 (New Series), 2007 can be downloaded here.

This video, presented by Andrew Cantrill with contributions from Nigel Allcoat, David Briggs, Ronny Krippner & Martin Baker, has been prepared to help organists of every age and stage to get started with improvisation.

OrganFest, the annual weekend celebration of the organ, moves north this year. After two years in the Midlands, it will be held in Edinburgh from Friday 28th to Sunday 30th October, and showcase organs by Willis, Ahrend, and Reiger.

In just six nights of bombing during the Second World War, the City of London lost 26 organs. Seventy years later, David S. Knight surveyed what was lost, and charted the heroic efforts to bring music back to shattered churches.

This compilation of material begins with an article by Terence Charlston examining the Theewes claviorgan in detail, and how an instrument of this type might inform our view of the solo repertoire of the time and change our understanding of keyboard instruments in ensemble performance.

It also includes an inventory of surviving claviorgans and a series of short recordings of the Goetze & Gwynn reconstruction of the Theewes’s organ part combined with a Flemish-style harpsichord by David Evans.