This year’s Incorporated Association of Organists (IAO) Music Festival in Peterborough hosted the first IAO/RCO Organ Playing Competition, open to organists between the ages of 18 and 26 years. The finals were held in Peterborough Cathedral, on the last evening of the Festival, with the three competition finalists giving a 40-minute recital in front of adjudicators, Martin Baker, Edward Higginbottom and Steven Grahl.

The RCO runs study trips abroad – a splendid opportunity to play organ repertoire on the instruments for which it was written. Robbie Carroll went on a recent RCO study trip to Germany, playing Brahms, Reger and Reubke on organs in Berlin, Leipzig and Merseburg. He sent us this personal account of the trip.

The Stavanger Konserthus in Norway aims to create innovative programming around its 2012 Ryde & Berg organ, and on 17th November 2018 will present Messiaen Complete – all the organ works of Olivier Messiaen in one day, over 9 hours with 8 international organists. The project combines the formal recital with a more free audience experience, and includes video projection and lighting design by one of the country’s leading video designers.

Organists here in the UK have their worries, but coping with the effect of a 6.3 earthquake on their livelihoods isn’t one of them. The earthquakes in Christchurch, New Zealand, in 2010 and 2011 damaged and destroyed many churches and pipe organs. But some, due to both circumstances and craftsmanship, survived, and in 2018 they are beginning to be heard again.

Sara Rothwell studied the organ from the age of 16, but only recently decided to take an RCO Diploma examination – winning both the Freemasons’ Prize and a John Birch scholarship in the process. She describes the challenges of taking the exam, and how she prepared for it.

John Varley Roberts remains one of the less well-remembered church organists of the Victorian and Edwardian periods. And yet his influence, especially as a choir trainer, was both considerable and enduring at a time when organ and choral music in the Anglican Church was undergoing a significant transformation. This study – part of a bigger piece of work on Roberts – considers his attitude to the organ.

The year 1976 brought the 25th Anniversary of the opening of the Royal Festival Hall, and to celebrate this the BBC commissioned a 20-minute work from Peter Racine Fricker for a concert of English music. Fricker chose to write a short single movement symphony, and as an FRCO, he decided to include an organ part. Gillian Weir was invited to be the soloist, and in this article from the RCO Journal of 2017 she describes the event, and also discusses the performance of a later concerto by Fricker, Laudi Concertati, which was dedicated to her.

The restoration of the organ at Canterbury Cathedral has begun, with some radical changes to the position of the pipework and console. Harrison & Harrison are working on the creation of new pipework in their Durham workshops, while Viscount Organs discuss the challenges of providing a digital replacement to maintain the musical life of the Cathedral for the next two years.

If you’re finding the requirements to improvise at the organ a bit daunting, or want to take your own skills to the next level, then read about two courses coming up in July which are focussed solely on improvisation for organists of all standards – one with tutor Ansgar Wallenhorst, left. There are also now two improvisation teaching videos to watch here on iRCO, which include exercises and a reading list to download.