Jeremiah Stephenson explores the art of choral accompaniment in depth with the aim of providing a framework for you to make your own judgements, and a stimulus to explore fully the possibilities that each organ provides for imaginative accompaniment.

Jeremiah Stephenson discusses and illustrates ways in which the piano accompaniments in the vocal scores of Viennese Mass settings by composers such as Haydn, Mozart and Schubert can be adapted in order to make them effective and practical when played on the organ.