Graham Barber performs and discusses the organ music of organist and composer Francis Jackson, born in 1917.

This October marks the 150th anniversary of Louis Vierne’s birth, and here on iRCO we celebrate the anniversary with a new film presented by Andrew Cantrill-Fenwick discussing Vierne’s life and legacy, and point to other resources on the composer. 

A biographical sketch of the Dutch composer Kendrik Andriessen, with a discussion of his organ works.

‘Francis Grier’s remarkably individual music combines influences from diverse traditions with the experiences of a fascinating career inspired by some of Britain’s most distinguished organists,’ says Tom Winpenny, in this article which summarises Grier’s career as Cathedral organist, leading chamber musician, and composer. Winpenny discusses how Grier’s organ writing is often inspired by the experience […]

Sir Herbert Brewer (1865–1928) was Organist of Gloucester Cathedral from 1896 until his death, and Simon Carpenter’s recent research for a University of Gloucestershire MA (from which this article is derived) examined his place in British music history, his educational philosophy, and the effect he had on the careers of his teenage articled pupils. The […]

The Stavanger Konserthus in Norway aims to create innovative programming around its 2012 Ryde & Berg organ, and on 17th November 2018 will present Messiaen Complete – all the organ works of Olivier Messiaen in one day, over 9 hours with 8 international organists. The project combines the formal recital with a more free audience experience, and includes video projection and lighting design by one of the country’s leading video designers.

The year 1976 brought the 25th Anniversary of the opening of the Royal Festival Hall, and to celebrate this the BBC commissioned a 20-minute work from Peter Racine Fricker for a concert of English music. Fricker chose to write a short single movement symphony, and as an FRCO, he decided to include an organ part. Gillian Weir was invited to be the soloist, and in this article from the RCO Journal of 2017 she describes the event, and also discusses the performance of a later concerto by Fricker, Laudi Concertati, which was dedicated to her.

Thierry Escaich’s compositional work is recognised the world over, and in acknowledgement of this he was elected to the Académie des Beaux-Arts of the Institut de France in 2013. He is the only composer of international stature today whose output contains a substantial place for the organ.

David Maw analyses Escaich’s writing for the organ in detail, with examples, in this article which originally appeared in the RCO Journal for 2017. Maw discusses Escaich’s creation of genres of writing of his own invention, along with the traditional concerto form; his use of improvisation and historical allusion; and his assimilation of an unusually wide range of musical material – from folksongs to note-rows, from triads to seemingly atonal chords – without any compromise to the compositional voice.

Dr Francis Jackson’s work at York Minster, coupled with his activities as a world famous recitalist, made it impossible for him to devote regular hours to composition. That he has composed such a large body of work in a variety of different genres is testimony to his talent as a composer and his devotion to the craft.

In this article originally appearing in the RCO Journal of 2017, Philip Moore analyses Jackson’s compositional techniques, his approach to word-setting, and gives some suggestions on the interpretation and registration of Jackson’s choral and liturgical works.