The copy used for this digital edition comes from the RCO Library, and is part of the RCO’s on-going project to digitise and publish online its collection of rare eighteenth and early nineteenth century music. You can read more on the edition used, and also a little more on Theophania Cecil’s life and music, below, in an article by Andrew McCrea and RCO Librarian Frances Pond.

By studying Western classical music at mission schools and at the Cathedral Church of Christ, Lagos, Fela Sowande developed a keen interest in composing for the organ. Godwin Sadoh discusses the European, African-American and Nigerian/African influences on ten of Sowande’s most popular organ works.

Annelies Focquart has investigated some new sources which cast a brighter light on the ten years Belgian organist Jacques-Nicolas Lemmens spent in Britain, as organist, concert performer and teacher, before his return to Belgium in the late 1870s.

Graham Barber makes an appraisal of the origins and characteristics of Henry Smart’s (1812-79) compositional style, and identifies his most compelling works, in this article from the RCO Journal of 2013. It includes an annotated catalogue of Smart’s organ output, from the generally difficult concert pieces to easier works designed for divine service or pedagogic […]

Andrew McCrea interviews the eminent Dutch organist and composer Piet Kee, to mark Kee’s 85th birthday.  Kee’s influence as a performer, improviser, composer and teacher has been far-reaching, and the RCO conferred Honorary Fellowship on him in 1988. A select bibliography can be found at the end of the article, which first appeared in the […]

By 1887 the College of Organists had already begun to make its mark – its membership increasing in relation to the great burst of church building that took place between 1850 and 1900.  Peter Horton compares the careers of four organists of this time – S S Wesley, Hopkins, Smart and Monk.  As he says […]

In this paper, originally given at the conference to mark the RCO’s 150th Anniversary, and subsequently printed in the RCO Journal for 2014, David Wright discusses how the RCO played an important part in the move to ‘professionalize’ music in Victorian Britain, and give musicians and their activities a new status that was both respectable […]

In this article Rosemary Golding examines the professional status and remuneration of the organist in the run-up to the foundation of the College of Organists in 1864, by examining contemporary advertisements and correspondence in The Musical Times and similar publications.  It originally appeared in The RCO Journal in 2014. RCO Journal 2014_Golding  

This essay on the centenary of Murrill’s birth gives a brief outline of Murrill’s career and achievements and, given the context of the journal of a college of organists, concentrates on his church and organ music. Written by Relf Clark, it first appeared in the RCO Journal of 2009. RCO Journal 2009_Clark