Richard Brasier explains how Beethoven’s early experiences with the organ as a church musician gradually helped to transform piano technique during the early-Romantic period, in a discussion of his new edition of Beethoven’s works for the organ and for Flötenuhr, published by Verlag Dohn in 2020.

The clear division of Bach’s keyboard works into those for organ and those for clavier is one that is more evident to modern editors than it probably was to performers in eighteenth-century Germany.  Francis Knights discusses a few works that appear to fall into neither camp, and the evidence they provide for the particular instrument they may have been played on.

Tom Bell uses W. T. Best’s editions of Bach to open a window into the world of a Victorian musician, and to explore nineteenth-century performance practice. 

The most substantial of Purcell’s organ works, the Voluntary for Double Organ has been described as ‘an exuberant product of the English Baroque’.  This paper by Desmond Hunter reviews aspects of the notation and considers several issues concerning the work’s performance, set against the background of a more general discussion of the genre.

The French Revolution was both destructive and creative, and the story of the organ during the revolutionary decade was one of continuity and of change. Andrew Cantrill-Fenwick discusses a time when organ culture was in thrall to political forces, in this article from the RCO Journal of 2020/2021.

The 2020/2021 edition of the College’s research publication, The Journal of the Royal College of Organists, can be downloaded here as a complete edition.

Not every organ possesses a Zimbelstern, but this ‘toy stop’ has been a popular addition to organs for hundreds of years. John Kitchen, Edinburgh City Organist, suggests how and when you might use it, demonstrating on the organ of Old St Paul’s Episcopal Church, Edinburgh.

Katherine Dienes-Williams, a Trustee of the RCO and also Organist and Master of the Choristers at Guildford Cathedral, hears from RCO Members about how playing the organ has changed their lives, and what membership of the RCO has meant to them.

Organist Kevin Bowyer gave the first UK performance of Xenakis’ organ piece Gmeeorh. He discusses aspects of performing this remarkable piece, with excerpts played at the organ of St Thomas Church, Fifth Avenue, New York City.