Playing Byrd: Re-imagining approaches to the performance of the keyboard music of William Byrd

This occasional research paper by Desmond Hunter reconsiders approaches to the performance of Byrd’s keyboard music based on a re-examination of the evidence in the sources, informed by the experience of playing and studying this music over many years. He also draws on research by other scholars and performers of Byrd’s keyboard music.

Organs, liturgy, and spaces at Lincoln Cathedral before 1702

Magnus Williamson recounts the archival and archeological detective work that has taken place at Lincoln Cathedral, in conjunction with the Byrd quatercentenary.  By bringing the building in line with post-Restoration practice in 1702, the Dean and Chapter also ended a spatial arrangement which had once generated the rich pre-Reformation tradtions of organs and voices in ‘alternatim’.  The characteristics of the building, and their musical implications, are probed in detail.

Bach and Expression

Organists Daniel Moult and Martin Schmeding provide an introduction to the issues surrounding the nature, history and performance practice of Bach’s organ works. They discuss the philosophical as well as musical arguments around how we should play Bach today, demonstrating on organs in Central Germany of Bach’s time.