Publishing organ music in Grand siècle France – a few notes

The appearance of numerous organ books after Nivers’s extensive 1665 Livre d’orgue was an extraordinary phenomenon, and Jon Baxendale scrutinises this by looking closely at the composer-and-engraver relationships, and the methods and business concerns of the engravers. A rich music-industrial terrain is mapped out, not least in terms of legalities. The supporting notes and comprehensive concluding table consolidate this study as an important reference work.

Playing Byrd: Re-imagining approaches to the performance of the keyboard music of William Byrd

This occasional research paper by Desmond Hunter reconsiders approaches to the performance of Byrd’s keyboard music based on a re-examination of the evidence in the sources, informed by the experience of playing and studying this music over many years. He also draws on research by other scholars and performers of Byrd’s keyboard music.