This occasional research paper by Desmond Hunter reconsiders approaches to the performance of Byrd’s keyboard music based on a re-examination of the evidence in the sources, informed by the experience of playing and studying this music over many years. He also draws on research by other scholars and performers of Byrd’s keyboard music.

This documentary by Fugue State Films charts the development of organ-building in the Netherlands through the 500-year organ history of the Laurenskerk in Alkmaar, a church that includes both an organ from 1511 by Jan van Covelens as well as the world-famous 1646 van Hagerbeer instrument, updated in 1723 by Frans Caspar Schnitger.

Magnus Williamson recounts the archival and archeological detective work that has taken place at Lincoln Cathedral, in conjunction with the Byrd quatercentenary.  By bringing the building in line with post-Restoration practice in 1702, the Dean and Chapter also ended a spatial arrangement which had once generated the rich pre-Reformation tradtions of organs and voices in ‘alternatim’.  The characteristics of the building, and their musical implications, are probed in detail.

Marking the 450th anniversary of Thomas Tomkins’s birth, John Caldwell investigates this ‘honest quiet peaceable man’ as one contemporaneous document characterised him. The focus of Caldwell’s study is the keyboard music, and not least how Tomkins reacted to the idioms and techniques he discovered in an important English sixteenth-century manuscript which came into his possession.

Terence Charlston looks at recent editions from the newly founded publisher Lyrebird Music.  In this review article he not only reacts to the editorial mission and accomplishment but also stimulates our engagement as keyboard players with the interpretative challenges of the virginalist repertoire.

Tom Bell introduces the organ music of two English composers for organ who lived hundreds of years apart: Orlando Gibbons, and contemporary composer Alan Gibbs.

There are over 150 surviving In Nomines: a plainchant used by some fifty-eight composers from Taverner to Purcell as a basis for keyboard and consort music. Jane Flynn investigates this fascinating compositional phenomenon and explores the interwoven theological and political context in which the In Nomine flourished.

A dairy door in a 17th-century house in Wetheringsett, Suffolk, and a piece of decaying timber found behind old pews and lumber in the churchyard shed at Wingfield, Suffolk, have transformed our knowledge and understanding of the pre-Reformation English organ.

This article and free download includes detailed descriptions and specifications of the Wetheringsett and Wingfield Organs, along with a look at the culture of the English church before the Reformation, including the use of the organ and its music within the liturgy.

Written and presented by Daniel Moult, these are the first in a series of videos introduces the main stylistic areas of five significant organ schools, with discussion of the more contentious & lesser known aspects of these periods.

Here, an introduction to the series is followed by a discussion of the playing style for the early English School, from Byrd to Purcell.