The Conferment of Diplomas is the public centrepiece of the Royal College of Organists’ year. In 2015 it was held in Southwark Cathedral, London, and you can watch a video of the proceedings here.

Geoffrey Webber’s extensive commentary on the current editions of Buxtehude’s organ music was published to mark the Buxtehude Tercentenary year in 2007.  The aim of this resource is to allow players to move beyond having to rely on any one edition, and to make their own informed decisions about the textual problems.

The copy used for this digital edition comes from the RCO Library, and is part of the RCO’s on-going project to digitise and publish online its collection of rare eighteenth and early nineteenth century music. You can read more on the edition used, and also a little more on Theophania Cecil’s life and music, below, in an article by Andrew McCrea and RCO Librarian Frances Pond.

The Conferment of Diplomas is the public centrepiece of the Royal College of Organists’ year. In 2013 it was held in Southwark Cathedral, London.

The Conferment of Diplomas is the public centrepiece of the Royal College of Organists’ year. In 2014 it was held in Southwark Cathedral, London.

The College’s library is as old as the College. From modest beginnings it has grown over the years into a library of great distinction, whose comprehensive specialist holdings of organ and choral music and books are known across the world.

The Journal of the Royal College of Organists is the College’s annual research publication, and the 2013 edition can be downloaded below.

Develop your skills on the ‘big course with the personal touch’ – the RCO’s flagship summer course which lasts for six days and is based in the heart of the historic City of London. This film provides insight into the course, which caters for organists of all levels and aspirations.

By studying Western classical music at mission schools and at the Cathedral Church of Christ, Lagos, Fela Sowande developed a keen interest in composing for the organ. Godwin Sadoh discusses the European, African-American and Nigerian/African influences on ten of Sowande’s most popular organ works.