Not all cathedral choirs are silent and choir leaders furloughed. We look at how some cathedrals and choral societies are finding ways to keep singers engaged with meaningful activities without a huge investment in equipment or new music, and investigate the practical issues around creating virtual choirs.

In a review of Timothy Day’s I Saw Eternity the Other Night, about the evolution in modern times of an English singing style, David Wright gets inside the multiple frameworks—economic, social, cultural—which help to invent and regulate traditions.

If, like many organists, you are already leading a choir, but feel diffident about your conducting technique, then join an exceptional RCO choir training workshop coming up in November.  David Hill, one of the country’s leading choral trainers, will be directing a day workshop on choral conducting on Saturday 2nd November, in St Mary’s Church in Newark. Experienced choral conductors will have the opportunity to take their conducting skills to the next level, and there are plenty of places for observers.

Dr Francis Jackson’s work at York Minster, coupled with his activities as a world famous recitalist, made it impossible for him to devote regular hours to composition. That he has composed such a large body of work in a variety of different genres is testimony to his talent as a composer and his devotion to the craft.

In this article originally appearing in the RCO Journal of 2017, Philip Moore analyses Jackson’s compositional techniques, his approach to word-setting, and gives some suggestions on the interpretation and registration of Jackson’s choral and liturgical works.

“500 uploads on YouTube!” tweeted the Archive of Recorded Church Music, triumphantly, last week. Colin Brownlee who runs the archive has been gathering recordings – LPs, 78s, cassettes, reel-to-reel, CDs, commercial and private – for 15 years, and has created a collection of cathedral and church choral music which is now seen as definitive, illustrating the changes in choral sound since 1902.

This pre-concert talk was recorded at the world premiere at the Royal Festival Hall of the Legend of Melusine, which was commissioned as part of the RCO’s 150th anniversary celebrations in 2014.

Philip Moore’s new Requiem will be given its world premiere on Friday 18 November 2016 at 2pm at St Paul’s Church, Knightsbridge in a concert to be given by the BBC Singers, conducted by David Hill. The concert will also be broadcast on BBC Radio 3.
Dedicated to the memory of his Mother and Father, Philip Moore’s Requiem is written for soprano solo, mixed voices and organ.

Croydon Minster is inviting all Choirmasters and Music Directors to join them in their Hymnathon on 1st and 2nd July, when they will be singing non-stop through the entire New English Hymnal, to support the organ appeal.

Part of the examination for the RCO Choral Directing Diploma is to rehearse a choice of choral pieces from a set list.

This Spotify playlist is a personal selection of performances of this repertoire, made by the iRCO Editor.