In this short video Judith Kleinman outlines the principles of Alexander Technique for musicians, and in particular organists.

Mental Skills Training (MST) is now taught as a matter of routine in conservatoires and music colleges, but it can help musicians at all levels increase learning speed, combat performance anxiety, and realise their full potential. Daniel Moult introduces visualisation which as part of practice technique.

Sir George Thomas Smart (1776–1867) is not as well known to the general musical public as he should be, not least because he was the first British musician to wield a baton over his forces and the first to take sole charge of a musical performance. The famous and misleading quote in the title is one of the most widely known anecdotes from his life, but this humorous aside does not reflect Smart’s attitude to the organ and its music in 1851, nor his reforming zeal.

Listen to the Ede & Ravenscroft Recital which closed the College’s 2018 Conferment of Diplomas ceremony, performed by Peter Stevens, Assistant Master of Music, Westminster Cathedral, who played music by Jean Guillou, JS Bach, Maurice Durufle and Max Reger.

Watch the College’s 2018 Conferment of Diplomas ceremony in full, or as edited highlights.

Last Saturday, in the splendid setting of Southwark Cathedral, the RCO presented Diplomas and Certificates to 49 members of the college who were successful in the examinations in the past year – and for the first time this included the RCO’s new qualification, the Certificate of Accredited Membership (CAM). Distinguished guests were awarded the RCO Medal, and Peter Stevens gave the Ede & Ravenscroft recital – pictures of the day’s event as it unfolded.

In this article from the RCO Journal of 2017, John Scott Whiteley examines Bach’s selection of traditional hymns for the Orgelbuchlein, and the tensions between Pietism, a Protestant renewal movement, and Lutheran Orthodoxy, in his sources.

In this RHS-RCO Masterclass, Matthew Martin discusses the practicalities of performance of the French Classical Repertoire – from registration and articulation, to the fingering for ornamentation and the application of inègale.

Simon Williams presents a masterclass in hymn playing at the organ of the Royal Hospital School, Holbrook, Suffolk.  He advises on registration, playovers and console management for hymns, how to match your hymn playing to the organ and the acoustic, and how to encourage confident singing from the congregation.