Why a new Vierne edition?

For many decades interpreters of Vierne’s organ music have had little choice other than to play from scores which have been quite difficult to read; differentiating between sharps and naturals has often been a problem, for example. Publishers have frequently resorted to photocopying old printed editions for a new print run, with an inevitable loss […]

‘Stops Away!’ – A Manchester Tale

Where do we as ‘classical’ musicians stand, be we performers, teachers, examiners, promoters, listeners, or any combination of the above? Do we accept the status quo and acknowledge that we are just another niche interest in a crowded market place? Do we stand firm and hope that the integrity of our art will carry us […]

Can editions of Bach or Scarlatti be entirely trusted?

In depending for their editing work on printed or MS copies preferably contemporary with the composer concerned, music editors over the last couple of centuries have gone through several phases in their approach to the job, phases varying from massive intervention to virtually none . Both can result in some difficulty for the player, not […]

John Stainer and the organ

Of the most influential musical figures of Victorian Britain, John Stainer must be considered a seminal personality who shaped the course of the nation’s history and progress. Though nowadays neglected as a composer, his influence as a church musician in the formation of the ‘reformed’ cathedral choir was immense and far-reaching. His work in education […]

iRCO – How it works & frequently asked questions

iRCO is the College’s virtual campus – an online environment where members and guest users can explore and engage with a wide range of resources including videos, sound files, articles and documents, images and detailed signposting to further resources wherever relevant.

These FAQs can help you get started with iRCO and answer other questions you may have.