Mark Brafield and Daniel Moult recently gave an RCO workshop on strategies for dealing with performance anxiety, and they’ve made their workshop notes available for download. The notes include a discussion of how performance anxiety arises in the first place, practical techniques to overcome it, and a reading list.

In March 2018 Andrew McCrea, Deputy Director of the RCO, hosted a live webinar with RCO President Martin Baker and Philip Meaden, RCO Director. In it they reflected on RCO initiatives, both current and future, and took questions from the webinar audience. Watch a recording of the webinar, including the Q&A session.

In this short video Judith Kleinman outlines the principles of Alexander Technique for musicians, and in particular organists.

Mental Skills Training (MST) is now taught as a matter of routine in conservatoires and music colleges, but it can help musicians at all levels increase learning speed, combat performance anxiety, and realise their full potential. Daniel Moult introduces visualisation which as part of practice technique.

In this RHS-RCO Masterclass, Matthew Martin discusses the practicalities of performance of the French Classical Repertoire – from registration and articulation, to the fingering for ornamentation and the application of inègale.

Simon Williams presents a masterclass in hymn playing at the organ of the Royal Hospital School, Holbrook, Suffolk.  He advises on registration, playovers and console management for hymns, how to match your hymn playing to the organ and the acoustic, and how to encourage confident singing from the congregation. 

Anne Page demonstrates methods that pianists use to learn fast passages of music with accuracy, which could be a helpful addition to your own practice techniques.

In this video, Richard Brasier investigates how Fernando Germani’s Organ Method offers advice on, and exercises for, acquiring a secure and articulate pedal technique. He discusses four key areas of pedal technique – attack and release, foot positioning, ankle flexibility and foot substitution.

Andrew Forbes discusses the nature of virtuosity, and how to overcome the frustrations of mastering a piece which is on the edge of your own current capabilities.